That said, the music isn't necessarily ideal for stand-alone listening, due to its fairly heavy and repetitious nature. He captures just the right dynamic and intensity to make gamers know their fate is uncertain and in their hands. Paul Linford did a spectacular job scoring the police pursuit sequences of Need For Speed: Most Wanted. Other than these tracks, the score is pretty homogenous given the limited purpose of the material in context. And, indeed, on this soundtrack release, it almost always does just a minute or two later. These create a great feeling of tension and expectation before calamity explodes. Away from the action tracks, there are brief cues such as "Layin' Low", "Ya Think", and "My, My Missy". It isn't quite as overwhelming as Need For Speed: Undercover, but it's still bound to be a brutal experience for most. The final soundtrack can be overbearing due to the sheer quantity of intense fusions featured. Featured towards the end of the score, "Take That Dawg" has an even more cinematic feel and motivates listeners during an epic chase.
"Don't Like It Do Ya" meanwhile takes listeners on a seven minute journey and attains a spectacular dramatic arch. It is impressive how Linford builds up so much rhythmical impetus in such tracks, the latter almost explosively. The amusingly titled "Feels Good Donit" and "This Doesn't Look Good" remain dominated by the interplay of electronic beats and orchestral discords. Much of the rest of the score continues this feel. The final result is therefore absolutely spectacular and fitting in context. The pace never relents and the volume never quietens. The thorough development maintains the intensity with electronic interludes and even more resolute orchestral sections. Listeners feel the heat of the police chase in the game as soon as the music plays.
Linford establishes a compelling pace for the theme using electronic beats and bass licks, before introducing some intense brass and string discords. "Kick It Up a Notch" provides a solid reflection on the type of music to expect from the game.
Need for speed most wanted 2005 ost series#
The result is a series of electro-orchestral scores that were, at the time of the game's release, the most intense and dramatic tracks to be featured in a Need For Speed game. In addition, they hired Hollywood musician Paul Linford to provide some original underscore for the police pursuit sessions. Once again, they included a range of licensed rock, electronic, and hip-hop tracks. Electronic Arts decided to take the music for Need For Speed: Most Wanted in a new direction.
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